The Showdown
On the morning of April 1, 2025, Spike Lee was set to arrive at Mario Sorrenti’s studio, housed in one of Clinton Hill’s historic brick carriage houses. Some of these buildings date back to the 19th century and have served as artist studios, gritty underground clubs, and even a pizza dough factory since their original use as garages for horse-drawn carriages and cars. Sorrenti has photographed countless celebrities here. But this would be the first time the carriage house would become the stage for an all-star matchup between two of New York City’s creative legends.
The Players
Spike Lee
A fearless storyteller, Lee’s body of work amplifying the Black experience, from Do the Right Thing to BlacKkKlansman, hasn’t just challenged America’s conscience—it has helped shape a deeper understanding of its culture. In May, Lee reunited with actor Denzel Washington for Highest 2 Lowest, a remake of Akira Kurosawa’s 1963 classic High and Low, which premiered at the Cannes Film Festival. But Lee’s influence extends beyond film. An Oscar winner and ardent New York Knicks fan, he has also been integral to shaping streetwear culture. Do the Right Thing showcased Bed-Stuy’s colorful Afrocentric style and cemented the cultural importance of Air Jordans, notably when the character called Buggin Out erupts after his new sneakers are scuffed.The Atlanta-born director, known for his vibrant personal style—including signature round glasses—directed the iconic “Spike and Mike” Air Jordan commercials that ran from 1988 to 1992 and, just by wearing one, helped popularize the Yankees New Era fitted cap.
Mario Sorrenti
One of fashion’s most sought-after photographers, Sorrenti has spent more than three decades making sensual imagery and intimate portraits that capture the emotional core of his subjects. He has also created some of the industry’s most memorable campaigns and editorials. Born inNaples and raised in New York, Sorrenti grew up in a creative family led by his mother, Francesca Sorrenti, a fashion designer and creative director. In the early 1990s, in his twenties, he began photographing his then-girlfriend, an emerging young model named Kate Moss, whose early portraits by Sorrenti led to Calvin Klein’s iconic Obsession campaign that catapulted their careers. Since then, he has shot hundreds of editorials for top magazines like Vogue,W and Vanity Fair, major campaigns for blue-chip brands like Chanel and Lancôme, and portraits of figures such as Oprah Winfrey and former President Joe Biden. His work has been exhibited at the Victoria and Albert Museum and the National Portrait Gallery in London.

The Warm-up
Before the shoot at Sorrenti’s carriage house, the team calibrated the lighting placement for a quick session. Time was limited; the energy in the room was high. A playlist featuring Nas, A Tribe Called Quest and other ’90s boom-bap hits filled the space.
The Match
At around 9 a.m., Lee arrived at Sorrenti’s studio in a pair of jeans, aJordan vest, retro Air Jordan 5s and a New York Yankees fitted cap. He wanted to get started quickly and wore the look.
“He came in with guns blazing,” said Carmel Moscova, PLAYERS’ editorial and creative strategist. The stakes were high and everyone knew it; here were two people who turned cameras on their subjects, brought together to aim those lenses (one metaphorical, in Lee’s case) at each other. And PLAYERS was there to catch every detail.
“Mario knew the kind of image he wanted to take, so he was coachingLee on some poses,” Moscova explained. “Lee was listening to Mario and going with the flow.”
A few minutes in and Lee tried on a second look: a white Jordan tracksuit and a cap with “1619” stitched across the front. As Lee sat down, he turned to Moscova and asked, pointedly, what the date meant—loud enough for the whole room to hear. Moscova, who is Black, responded, “The year we came to America [as slaves]… But we own that year now because it represents our liberation.
Lee smiled. Test passed. “My man,” he said. The shoot resumed. Meanwhile, Sorrenti shot like the efficient veteran he is. “I’ve never seen a photographer shoot this fast,” said Moscova. “It’s something I feel like the new generation of photographers can actually learn from.”
After 45 minutes, it was over. Shots made, and history, too.
The Result
“He was a man on a mission that day,” said Moscova, “and you can see that strength in Spike’s eyes and feel his demeanor in the photos.” That’s the Sorrenti special: capturing his subject’s aura. “The day felt like one of those New York moments I’ll remember forever.”As for Sorrenti, his reaction was characteristically tempered. “I was honored to shoot Spike Lee,” he said, nimbly sidestepping the gravitas as only another legend can.
